Posted on 15 September 2009
Having good “Mic Technique” means two things: 1.) Understanding that a microphone’s diaphragm reacts with varying sensitivity to your vocal performance. 2.) Knowing how to adjust your body according to the dynamics of the delivery. If you’re going to deliver a quiet, intimate vocal from start to finish, you can afford to position your mouth [...]
Tags: Condenser, Condenser Microphones, Couple Feet, Couple Inches, Diaphragm, Different Times, Drum Kit, Dynamic Microphone, Endless Combinations, Kick Drum, Omni, Performance 2, Phase Relationships, Placements, Room Mics, Six Feet, Syllable, Ten Feet, Vocal Performance, Vocal Techniques
Posted on 27 July 2009
Studio singing has an enemy. When you are in the vocal booth in the process of recording your voice, there is a part of you that you must keep out: Your inner critique.
This is the part of you that says things like:
* I’m flat on that note… no, I’m sharp…
* I’m not feeling it right [...]
Tags: Critique, Focus, Freedom, Mindset, People, Playback, Vocal Booth, Vocal Performance, Vocal Producer
Posted on 27 July 2009
I have been asked several times how do you get those great vocal tracks. After the trial and error of engineering for many years, this is what we have found to work for us.
Setup:
First after listening to the singer we look through our microphone selection and choose 5 or 6 that we think would work [...]